Pink Floyd Bootleg Download

Roger Waters'The Wall' Live 2010/2011April 25, 2011St. Roger Waters - Star Lake Amphitheather, Aug 18-1999here's the next DVD 'vohaa' send me.The sound is from the cam picture in NTSC -format. Overall very nice one!' Roger WatersNovember 21, 2010Dallas, Texas, USAThis was filmed with my Flip Video recorder.

Unfortunately,my seat was way up in the balcony: I was on the 5th row fromthe CEILING of the arena. So this is not a wonderful recordingat all. It is complete, and the sound is very good.DVD 1:1.

IN THE FLESH 4:422. THIN ICE – ANOTHER BRICK ONE 6:393. HAPPIEST DAYS – ANOTHER BRICK TWO 8:424. MOTHER 10:175.

GOODBYE BLUE SKY –EMPTY SPACES/WHAT SHALL WE DO NOW 12:426. ONE OF MY TURNS – DON’T LEAVE ME NOW –THE LAST FEW BRICKS – GOODBYE CRUEL WORLD 14:48DVD 1 = 57 minutesDVD 2:1. HEY YOU – IS THERE ANYBODY OUT THERE 7:472.

NOBODY HOME – VERA –BRING THE BOYS BACK HOME 6:573. COMFORTABLY NUMB – THE SHOW MUST GO ON 10:124. IN THE FLESH 2 – RUN LIKE HELL 11:555. WAITING FOR THE WORMS – STOP - THE TRIAL 11:236.

OUTSIDE THE WALL – ROGER’S THANK YOU’S 6:31DVD 2 = 54 minutes. PINK FLOYDRotterdam 3/4/5th September 1994DREAMSCAPESStadion Feyenoord (De Kuip), Rotterdam, NetherlandsDVD 11. Astronomy Domine2.

Learning To Fly3. What Do You Want From Me4. On The Turning Away5. Poles Apart6. Take It Back7. Keep Talking9.

One Of These Days10. Shine On You Crazy Diamond11. Speak To Me12. On The Run14.

Best Pink Floyd Bootlegs

Breathe (Reprise)DVD 21. The Great Gig In The Sky2. Us And Them4. Any Colour You Like5.

Brain Damage6. Comfortably Numb9. Run Like Hell10. Wish You Were Here.

One of the first Pink Floyd vinyl bootlegs I bought in the late 80’s was Caught In The Crossfire(Pharting Pharoah Records 13153), a double LP that feature three quarters of the bands performance at New York City’s famed Madison Square Gardens. The sound was very good, the performance was sublime and as I had previously done with Crackers, made a copy on cassette so I could listen in the car, at work and the likes. While the record featured about half of the Animals portion of the show, what was there became one of my most beloved shows in my small (back then) bootleg collection. The CD era brought titles like Caught In The Crossfire (Neutral Zone NZCD 89017) and New York 1977 (The Welfare Pig TWP-CD-203). Both were incomplete with only the second half, the Wish You Were Here set. Prog King (Sirene 099) featured the complete show in very good quality but for me the title never really clicked, it sounded, to my ears, dull and lifeless. Sigma would tackle the concert twice, Day Of The Animals (Sigma 77) was an upgrade to Prog King, and the best version of the tape was New York 1977 2nd Night (Sigma 125).

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The latter title was taken from a torrent posted on the excellent Yeeshkul site, boasting a direct transfer of the master cassettes. This new title from Sigma is merely the second edition of Sigma 125, minus the bonus replica mini tour program. This recording was made by the prolific team of Bob Menke and Louis Falanga, two tapers who’s primary interest was recording the Grateful Dead, one must remember that in the 1970’s the Dead had not yet adopted their taper friendly stance and tapers had to smuggle their equipment into a venue. Bob Menke preferred quality and used a Sony TC-152 deck and Sony ECM microphones (either 250 or 270). Their recording of Pink Floyd’s second concert at Madison Square Garden is among the most vivid of the tour, and in my humble opinion, the best overall recording from 1977. Sure Paris, Oakland, and Boston are excellent recordings, but the Floyd’s performance in MSG is incredible, their playing is fierce and the atmosphere inside the Garden is electric, when you combine these factors, the equation is simple. First off this title, as well as Sigma 125, is sourced directly from the master cassettes, so the lineage is direct.

Work was done to speed correct the second half of Shine On, Money and Us And Them as there batteries were dying, and the second source was used to fill the gaps in Shine On You Crazy Diamond Pts. 6-9 and Us And Them. Lastly the folks at Sigma gently boosted the sounds levels on the Animals set slightly to better mirror the second Wish You Were Here set as the tapers moved up during the intermission. The results of this work provide an incredible aural experience, this recording sounds superb with a nice three dimension sound so vivid you feel like you are in the crowd, and as previously stated (a couple times) the performance is excellent as the Floyd were really hitting their stride during the latter portion of the tour. In issue 40 of Brain Damage magazine Elliot Tayman gives a reader flashback of the build up to the MSG shows, the only performances the band would give during Roger Waters’ tenure in the band.

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In February 1977, a publicity stunt featuring a flatbed truck and live Animals were paraded up 6th Avenue to Central Park with the newly released Animals record serving as soundtrack. A couple weeks later WNEW-FM staged an event in the parks Sheep Meadow (now called Strawberry Fields) where priority mail order forms were handed out for the four MSG dates. Elliot states that most of the shows at the venue were handled mail order only, one would assume to avoid shenanigans of fans waiting in lines for box office tickets.

Elliot scored tickets for three of the four shows and gives a nice play by play of his experience at the first concert, the music and visuals and overall vibe of the concerts. The two page article also featured a ticket stub, mail order coupon pictures as well as live band shots from the event, being a fan of the Caught In The Crossfire vinyl, it was nice to read a first hand account. As Gerard tells during both his reviews for Prog King and Day Of The Animals, the summer of 1977 found marijuana being decriminalized in New York, and being so close to the Fourth of July holiday, the atmosphere inside the Garden sounds like a war zone, during the Animals set the amount of fireworks set off is incredible, surprisingly Roger holds his tongue, something he would not do over the next days performances. Full marks must go to the generous folks at Yeeshkull whose hard work is often the source for these Sigma titles.

Their diligent effort to circulate the best and lowest generation copies of these Floyd artifacts free of charge, the way it should be. While they do not endorse anything other than free trading of material, the collectors market is certainly a benefactor of their laborious work.